The Panasonic Lumix S5, in lots of respects, looks like it may very well be a religious successor the much-loved Lumix GH5, or at the least it is definitely attempting to be its full-frame massive brother.
YouTuber and photographer Kai Wong took a glance on the Panasonic S5 for a evaluate with famend photojournalist Dan Chung, and whereas it was supposed to be a deep dive of the digicam, he saved coming again the identical points which have dogged Panasonic cameras from day one: autofocus.
You see, since just about the start of its foray into mirrorless, the corporate has staunchly, or stubbornly, relying on the way you take a look at it, used contrast-detect autofocus in its cameras, beginning with its Micro 4 Thirds choices and persevering with all the best way to its full body fashions, the Lumix S sequence cameras. Whereas distinction detection autofocus is all the time extremely correct, it brings with it a number of downsides to the AF social gathering. Notably, distinction detect autofocus has a little bit of a “wobble” on the finish of discovering focus, because it has to focus backwards and forwards previous the topic to precisely decide focus. Typically that is completed so quick it is barely noticeable, however as gentle or distinction drops, it may be very noticeable.
For a similar causes, this makes monitoring autofocus on Panasonic cameras carry out only a lower beneath its phase-detection succesful friends. Panasonic has added some tips to the expertise, comparable to Depth From Defocus (DFD) which appears on the focus of two photographs, compares their focus traits, and adjusts the lens accordingly, all in a short time. It was launched within the GH4 and continues on the S-series fashions at this time, although reviewers have complained that it nonetheless would not monitor shifting topics all that nicely. There was some enchancment although when the body price was bumped as much as 60 fps or 50 fps in 4K, which is one thing, although at that time the picture is cropped.
That mentioned, regardless of the autofocus points, for the value the digicam presents a number of the goodness of the opposite S fashions in a smaller package deal with a smaller price ticket. The sensor stays at 24 megapixels, which is about common nowadays, however nonetheless retains glorious colours and dynamic vary, based on Wong. Moreover, the package lens goes out to a wider-than-normal 20mm, which may very well be a boon for YouTubers trying to movie themselves with the flip display.
Likewise, the controls and dimension are similar to a GH5, which is a sign that maybe the GH5 did not actually should be that massive for packing a sensor so small. As Wong notes, not like the GH5, you may truly wish to shoot photographs and video with an S5 versus simply video on the GH5 (although as a GH3 proprietor to today, I’ve all the time discovered the stills acceptable).
What do you consider the Panasonic S5? Well worth the value of admission or DOA with Canon, Nikon, and Sony already within the sport?